Line-Matching Transformers for Constant Voltage Speaker Systems

The term audio transformer is widely used and can have different meanings in different contexts. It can mean a transformer used anywhere in audio equipment, from a mains transformer used in a linear power supply, to a microphone transformer, to a line-matching transformer for distributed audio systems.

In this two-part discussion, we will focus on line-matching transformers and how they enable efficient distribution of audio over large areas with multiple loudspeakers.

We will begin by going over one of the main applications for line-matching transformers: constant voltage speaker systems.

Constant Voltage Speaker Systems

The most common use of a line-matching transformer is in public address systems typically used in large buildings such as shopping centres, hotels, and large warehouses, to make announcements or play background music.

In this application, the same piece of music or the same announcement must be distributed from one source to many loudspeakers and does not need to be of very high quality.

A very common system for this type of application is known as a constant voltage speaker system.

Before delving into these systems, it is important to understand the basics of standard 8-ohm loudspeaker systems, otherwise known as low-impedance systems. The impedance of the loudspeakers connected to an amplifier must be at least the amplifier’s rated output impedance. For example, for an amplifier with an 8 Ω output, the loudspeakers’ impedance must be at least 8 Ω (it can also be higher, such as 16 Ω). However, it would not be safe to use a 4 Ω loudspeaker. This overloading of the amplifier can cause distortion of the sound, damage the amplifier and cause fuses to blow or circuit breakers to trip. 8 Ω and 4 Ω are common loudspeaker impedances.

Imagine a system with several loudspeakers connection to the same amplifier. If we put loudspeakers in series, we must add the impedances together.


In this example, we have 4 loudspeakers of 8 Ω each. The total impedance is simply the sum of all the individual impedances: (8+8+8+8) = 32 Ω.

If we take the same loudspeakers and connect them all in parallel, we get 8/4 = 2 Ω.


If the total loudspeaker impedance matches the amplifier’s rated impedance, then the full rated amplifier’s output power is delivered to the loudspeakers. However, if an 8 Ω amplifier feeds a 32 Ω set of speakers, as shown in the series-connected example above, then the amplifier cannot deliver its full output power to the much higher impedance of 32 Ω versus rated 8 Ω.

Naturally, it is possible to use many combinations of speakers in series and parallel to equate to the amplifier rated impedance, but imagine a large shopping centre, with a few hundred loudspeakers for the PA system. It is near impossible to wire all those loudspeakers in such a way that the amplifier sees the correct rated impedance and can deliver its rated output.

An obvious method of simplifying the system would be to connect all the loudspeakers in parallel, irrespective of how many speakers are involved. This is where constant voltage speaker systems come in.

The common standardized voltages used are 25 V, 70 V, and 100 V. 70 V actually refers to 70.7 V but is commonly known in the industry as 70 V. Although 100 V is common throughout Europe, it is not so common in the USA because if a 100 V speaker system is installed in a commercial building in the USA, then the speaker wiring must be Class 1 and it must also be installed inside a conduit. This would obviously add significant expense. Although rare, 100 V systems are sometimes found in the USA where high powered speakers and very long wiring are needed.

The term “100 V line” is used because the line or cable connecting the source to the loudspeakers uses 100 volts. This means a transformer at the source to step-up or match the amplifier impedance to the 100 V line, and then a transformer at each loudspeaker to step-down or match the 100 V line to the loudspeaker impedance. These transformers are known as line-matching transformers.


  • Connect many speakers to one amplifier
  • Speakers can be added or subtracted as needs be
  • Simple load calculation: Add wattage of each speaker
  • Individual “tap” on transformers allow tailored volume of each speaker
  • Suitable for long runs of small-size low-cost cabling


  • Sound Quality — most 100V line speakers are not so good at low frequencies, but for general announcements, quality is acceptable
  • Each loudspeaker needs a transformer

Why use 100 V, or 70.7 V or 25 V?

Basic electrics tells us that power is a product of voltage and current, so for the same amount of energy/power, the current is inversely proportional to the voltage.

For example, let’s assume we want to supply 200 watts of power from the amplifier to an 8 ohm loudspeaker.


If we supply the same 200 Watts into a 100V line, the current becomes:


Now, consider the cable which connects the amplifier to the loudspeakers: The losses depend on cable resistance, Rc: Losses = I2Rc

For direct connection, we had a current of 5 A, so losses = 25.Rc

For the 100 V line method, we had a current of 2 A, so losses = 4.Rc

Hence for cables of equal resistance the losses for direct connection would be over 6 times the losses using a 100 V line distribution system.

The same logic would suggest we would achieve even lower losses by using higher voltage and lower current, but it was accepted historically that 100 V was a reasonable compromise between safety and performance. Higher voltage would be more dangerous!


Constant voltage speaker systems allow for the wide distribution of audio signals without the losses associated with direct connection. Line-matching transformers are a key component of these systems, and we will cover important transformer design considerations in part two of this discussion.


  • Declan Grady is Chief Technical Officer of the Talema Group, and Technical Manager for Nuvotem, the Talema Group’s European HQ in Ireland. He holds a bachelor’s degree in Electrical Engineering from Trinity College Dublin and has been with Talema since 1990.

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